“I love this record. I thought I probably would, but the reality surpassed my expectations. Maybe because so many more questions are posed and elegant solutions put forward than I had imagined before I heard it. About tuning and timbre. Density and openness. Repetition and memory. About style and genre and the nature of technique. Flashes of Larry Young and Tony Williams Lifetime when they were re-defining jazz forever. Tristano. Sharrock. Subtle alterations, treatments, processes. Relentless kinetic energy. Above all, an appreciation for how to find and hang on to your place in a narrative unfolding at speed. For the fact that structure is not what is imposed, but what is revealed. For how the recording process affects sound and performance. If empathy is the capacity for putting yourself in someone else’s shoes, then these are truly empathetic players, which we hear at every twist and turn. But I’m also struck by something about physics, about the nature of mass and the strength of mutual gravitational attraction. This music seems to exist as much on that basic level as on any other, and as such it is compelling and fun. Like watching asteroids. Or blades of grass. Or shoals of fish. Or birds.”

– Fred Frith

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